Glyphs provides great support for complex writing systems, which makes designing multi-script fonts really easy.
Since I have started using Glyphs, font production is way more fun. It has never been so easy to get the last production steps right.
The integrated work model of Glyphs makes a difference in the learning curve of new designers, and their rate of work.
Glyphs has done for Arabic what no other font tool has achieved: make the design of complex typefaces easy and enjoyable. A true liberation!
Working with monoline designs and masters in Glyphs is awesome. It’s all there, no need for add-ons or app switching.
Ever since I have switched to Glyphs, I have more time for my family.
The interface is convenient and easy to use. And more than that, I find the support from the people behind Glyphs incredible: no question unanswered, no matter unattended.
Glyphs constantly introduces new useful features, accommodating designers’ needs. I am excited about new developments for South Asian scripts.
Just generated 54 fonts with over 26,000 glyphs in less than a minute using Glyphs. That’s pretty epic.
After using Glyphs, the pen tool in Illustrator feels like carving a chicken with a chainsaw.
The Devanagari workflow is so much easier. I am saving weeks, if not months, of time.
Glad we switched to Glyphs. Feels like flying business class instead of economy.
I notice that my students find Glyphs much easier to use. They pick up most of it immediately.
It doesn’t make sense to design Arabic in anything but Glyphs. I like showing people who don’t use it how much simpler their lives can be.
Glyphs has loads of killer features that satisfy newcomers and veterans alike. I can’t work without it anymore.
You just rock.
Glyphs makes the process of publishing high-quality fonts easy for independent foundries like mine.
I am continually astonished at what a well-thought-out, well-designed piece of software Glyphs is.
The UI is so much cleaner, and you can actually see what you are doing!